000			02009nam a2200193Ia 4500
008			230621s9999||||xx |||||||||||||| ||und||
020			_a9780415319850 (pbk.)
082			_a791.4301 _bUTT
100			_aUtterson, Andrew (Editor) _99240
245		0	_aTechnology and culture, the film reader
260			_aOxon _bRoutledge _c2005
300			_ax, 152p.,
500			_ahttps://www.routledge.com/Technology-and-Culture-The-Film-Reader/Utterson/p/book/9780415319850
520			_aTechnology and Culture: The Film Reader brings together key theoretical texts from more than a century of writing on film and technology. It begins by exploring the intertwined technologies of cinematic representation, reproduction, distribution and reception, before locating the technological history of cinema as one component of an increasingly complex technological culture. The selected articles encompass a range of disciplines, perspectives and methodologies, reflecting the multiplicity of contemporary approaches to technology. They are grouped into four thematic sections, each with an introduction by the editor. Origins and Evolution - examines the lineage of cinema's machines, while challenging the received notion that cinema began with a discrete moment of invention Definitions and Determinism - redefines technology, moving beyond an isolated description of cinema's physical tools to consider the forces that play a part in shaping their form and function Projections and Aesthetics - analyzes the exchange between cinematic and other technologies, in terms of cinema's capacity to reflect on and negotiate technologies other than its own Contexts and Consequences - situates the technologies of cinema within a broader framework, charting their engagement with the spheres of discourse at work within society.
650			_aCulture in motion pictures _99850
650			_aMass media and technology _95415
650			_aMotion pictures--Philosophy _99851
942			_cBK _o791.4301 UTT _2Dewey Decimal Classification
999			_c9618 _d9618