000			01349nam a2200181Ia 4500
008			210916s9999 xx 000 0 und d
020			_a9780813596266
082			_a777 _bPRI
100			_aPrince, Stephen _95127
245		0	_aDigital cinema
260			_aNew Jersey _bRutgers _c2019
300			_a184p.
500			_ahttps://www.rutgersuniversitypress.org/digital-cinema/9780813596266
520			_aDigital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking’s analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence? Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first centu
650			_aMotion pictures _93671
650			_aDigital cinematography _95128
942			_cBK
999			_c6133 _d6133