Women's cinema, world cinema : projecting contemporary feminisms
Material type: TextPublication details: Durham Duke University Press 2015Description: ix, 270pISBN:- 9780822358053 (pbk.)
- 791.43082 WHI
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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Book | Plaksha University Library | Art & Architecture | 791.43082 WHI (Browse shelf(Opens below)) | Checked out | 04/01/2025 | 004147 |
Browsing Plaksha University Library shelves, Collection: Art & Architecture Close shelf browser (Hides shelf browser)
791.43028 MAJ Wanted cultured ladies only! : female stardom and cinema in India, 1930s-1950s | 791.43028092 KHA The best mistakes of my life | 791.43082 BUT Women's cinema : the contested screen | 791.43082 WHI Women's cinema, world cinema : projecting contemporary feminisms | 791.430954 GEH Twenty-first century bollywood | 791.430954 PRA Ideology of the hindi film : a historical construction | 791.430954 VAS Making meaning in Indian cinema |
https://www.goodreads.com/book/show/21881831-women-s-cinema-world-cinema?ref=nav_sb_ss_1_13
In Women’s Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women’s Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture.
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